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Not long ago a sensational artefact has surfaced. It is shown in Figure 1.
It presents an apparent ancient replica of the "Zhang Heng seismograph". The
puzzling question which we all should try to answer is: from what period
it originates and whether it is a genuine artefact or a fake. We sincerely
hope that the reader helps us to find the correct answer to this question.
The Zhang Heng seismograph is an
extraordinary device. It works by intercepting subtle emissions from
earthquakes, which ancient Chinese used to call chi, and which
currently can be described as "telepathic waves". It was build almost
2000 years ago, but it still exceeds the present level of science and
technology on Earth by at least further 100 years. If it is build, it
would open completely new horizons for people and for humanity. After
all, it not only allows for remote detection of impending earthquakes
and for issuing advanced earthquake warnings. It also assists in learning
about telepathy, which so-far is unacknowledged by human science.
* * *
On several web pages I try to
indicate that the free development of science and technology on Earth
is strongly suppressed by an invisible evil force, which is interested
in humanity remaining in darkness. Menu 2 provides numerous examples
of web pages which document the action of this evil force. For example,
web pages about
Aleksander Mozajski
(e.g. see the page
jan-pajak.com)
illustrate how this evil force suppressed the development of the
first aeroplane on Earth. In turn web pages about
mysteries of
New Zealand
(e.g. see the web page
newzealand.0me.com)
explains how this evil force escalates the so-called "curse
of inventors" that supresses all progressive inventions on
Earth. It seems to be in the vital interests of this evil
force, to also suppress the current trend to rebuild
operational duplicate of the "Zhang Heng seismograph".
In order to accomplish this evil goal, this evil force
could resort to even such actions as create a
fake replica of this seismograph to misled those researchers
who wish to rebuild it. Thus, the extremely vital questions
which we all should try to answer now, is whether
the ancient artefact shown in Figure 1 is a genuine item or
just a skilfull fake, and if it is genuine - then from what
exactly period it really originates. I hope that readers of
this web page are going to help both of us (means
myself - Dr Jan Pajak
and Mr
Tan Kee Wee)
in finding answers to these difficult questions.
#1. Why it is vital to establish how genuine the artefact from Figure 1 is:
There are numerous reasons
why it is vital to establish beyond any doubt that the artefact
discussed here is genuine. Let us have a look at some of these
reasons:
1. It would show how the working
prototype of the "Zhang Heng seismograph" really looked like. After all,
the replicas of the "Zhang Heng seismograph" that we have and show at present
(e.g. the replica shown on Figure 1b), are reconstructed from our
guess and imagination rather than from our true knowledge as to how
the real device used to look like.
2. It would facilitate our
deductions of vital information about the true operation of the "Zhang
Heng seismograph". In turn such deductions, if they are fairly accurate,
would allow to complete a working model of this "seismograph" much earlier.
(Notice that I am not very happy to call the Zhang Heng device with the name
"seismograph" because this name implies the inertial operation of it. In turn,
as the homepage explains this, the device operates on "chi" not on inertia forces.
3. It would allows to establish
who is the true creator of the "Zhang Heng seismograph". The point is, that
judging from the patina and the extensive demineralisation in the pieces of the
device discussed on this web page, it appears that this device could be older
than the Han Dynasty period. This in turn has the consequence, that this
artefact bears the potential to suggest or to prove, that Zhang Heng was
not the original inventor of this device, but just only restored it from
some older model that he examined. Putting this in other words, if the
pictured bronze is as old as the Western Zhou period, this would mean
that the seismograph was not invented by Zhang Heng after all. He could
have taken the idea from an invention made far earlier. So the device
shown here, if proven genuine, is going to change the statements of history.
4. The shape of it implies, that the
device is modelled like a propulsor from a UFO vehicle - for more details see
item 5 below. This in turn would explain why the "Zhang Heng seismograph" is so
advanced that it even exceeds the level of present science and technology on
Earth. After all, the advancement of it would originate from a cosmic
civilisation which donated this device to people from Earth.
To summarise the above, it is worth
to undertake the effort to prove or to disprove that this artefact is genuine,
and to date it more exactly.
(Note that you can see the
enlargement of each illustration or photograph
from this web site, simply by clicking on this
illustration or photograph. When you finish with looking
at such enlargement, click BACK
to return to this page. You can also download each illustration
to your own computer, and then look at it, reduce or enlarge
the size of it, or print it, with your own graphical software.)
Fig. 1: The general appearance of
sensational ancient replica of the "Zhang Heng seismograph".
The height of this replica is about 40 cm.
So it can’t be the working device, but a model of a seismograph that
existed and worked in ancient times. Also there is no mechanism inside
the egg-shell, what can be seen when one removes the top cover and
looks inside of it. This seems to confirm additionally that it is
only a model of a real thing. The pattern on this replica seems
to indicate that it may originate from the Western Zhou period
(1100 BC to 770 BC). This in turn could mean, that the "Zhang Heng
seismograph" could even be over 1000 years older than it
is currently believed. More details on this ancient
replica of the "Zhang Heng seismograph" may provide
Mr Tan Kee Wee, who can be contacted via the email address
keeweetan@pacific.net.sg.
Fig. 1b:The general appearance
of a present-day replica of the "Zhang Heng seismograph" (means
of a replica of the ancient device able to detect incoming
earthquakes and to rise alarms before
these earthquakes strike).
The replica of this earthquake
detector shown above as Figure 1b, is that one which is exhibited in
New Zealand in the
Te Papa
museum from Wellington. This is also the replica that I studied to work
out how it operates. (Description of the unique operation of this device
is provided on the
Homepage
that can be selected from the "Menu 1".) Descriptions provided on this web page
eventuated because, by a strange turn of fate, the above device happened to appear
just a few kilometres from my flat, while I was seeking it in the entire
big world, being prepared to even fly to China just to see it.
Fig. 2a. Another beautiful pieces of ancient
Chinese bronzes. They are "fang hu" from the Spring-Autumn
period (770 BC to 476 BC). ("Fang hu" were containers used
to store wine. They were like present wine decanters.) They
reveal a clear pattern on the side, which is unique for this
particular period.
Compare the designs on the body of it, with these from
Figure 2b below. The strange thing is that also the ancient
replica of the "Zhang Heng seismograph" discussed here,
displays almost identical design patterns on the
egg-shell chamber - see also Figure 2b below.
Please notice that
there are not many Chinese bronze experts in this world.
Most of them live in China. That's because there are so
few pieces of Chinese ancient bronzes left in this world. So to
recognise and to decode patterns that exist on the device
discussed here, takes quite a lot of expertise which apart
from China is not readily available.
Fig. 2b. This picture reveals the pattern
on the egg-shell of main chamber from the "Zhang Heng
seismograph" discussed here. Although this photo is not taken from
the correct angle (in future it is going to be replaced
by a better one), it shows this pattern quite clearly.
In turn the presence of such a pattern may indicate that
the replica discussed here in fact does originate from
the Western Zhou period (1100 BC to 770 BC).
#2. What premises seem to certify that it is a genuine
artefact from the Western Zhou period (1100 BC to 770 BC):
There is several premises,
which stem from the current knowledge of ancient Chinese bronzes,
and which seem to certify that the artefact discussed here originates
from the Western Zhou period (1100 BC to 770 BC). Let us list here
these premises:
1. The demineralisation
stage of the object discussed here, and the caked dirt on it.
As pictures shown on this web page reveal, the state of the object
discussed here is such, that it convincingly indicates that the
age of it is extremely old. The bronze is strongly oxidised and
demineralised, it is covered with very old dirt deeply caked into
the surface of it, and it is damaged solely by its age. All this
makes experts from that area fairly certain, that the object came
from a period much earlier than the Han Dynasty.
2. The pattern of the
design. A guess based on the patterns displayed by the
bronze object, indicates that it may originate from the Western
Zhou period (1100 BC to 770 BC). But of course, it could have
been made much later.
3. The simplicity of
the design. Most of Han Dynasty bronzes usually have very
simple designs. That is why the design seems to indicate that
this replica of the seismograph could be even earlier than from
the Spring-Autumn period.
* * *
Of course, apart from
premises that seem to certify for historic origin of this artefact,
there are also premises which seem to indicate that cannot be ruled
out completely a possibility that it is only a skilfully made fake.
Here are some of these premises:
A. The presence of whole
dragons, not just dragon heads. Historic descriptions of the
"Zhang Heng seismograph" indicate, that to the egg-shell body only
dragon heads were attached, not whole dragons as it is visible on
Figures 1 and 4. (The true shape of these dragon heads is shown on
Figures 2a, 2b, 2c, and 7 from the
Homepage
.) The presence of whole dragons could suggest that
the artefact was made recently by someone who does not know ancient
descriptions, thus does not know that there were no whole dragons
attached to this device.
B. The downwards angle of
positioning dragons' mouths. As this is visible on Figures 1
and 4, dragon mouths are directed downwards. In turn such their
directing makes impossible the proper operation of this device,
no matter what principle of operation it would use.
C. The colour.
If bronze oxidises naturally when it is being used, the colour of
the layer of oxidation is usually black, not greenish. So the greenish
colour of the oxidation on the artefact may rouse suspicions.
Unfortunately, the significance of the colour is inconclusive,
because it depends on the copper content of the material, and
also on conditions of oxidation. For example, the bronze oxidised
very rapidly (e.g. in a fire, or in the presence of chemicals
or sea water) also would oxidise into such a greenish colour.
Of course, the above points
could also be caused by a simple environmental conditions, lack of
thoroughness, or artistic vision of the creator who made this replica.
So they not necessarily are conclusive.
#3. In what manner readers could help in this research:
There are numerous ways
in which the reader could help in establishing whether the
artefact discussed here is genuine. Let us list the most
vital of these ways:
1. Inspiration. Readers
could have and let us know any other ideas as to how prove or disprove
that this artefact is genuine.
2. Intuition. Readers
could share with us their intuitive feeling about how genuine this
artefact is. In turn this feeling they obtain after reviewing carefully
photographs presented on this web page.
3. Research. These readers
who have access to research facilities could do laboratory research on
samples that we are willing to provide. For example, the radioactive isotope
dating of this object could be carried out by them.
Fig. 3.
Myself - i.e. Dr Jan Pajak
and Mr
Tan Kee Wee)
we would greatly appreciate the reader's opinion
regarding the evidential value of the artefact presented
here. We would be grateful if, after careful reviewing
photographs shown on this web page, and careful reading
information provided on this web page and on the
Homepage,
readers could
share with us their personal opinion as to whether
their intuition tells them that this replica is a
truly ancient artefact originating from the Western
Zhou period (1100 BC to 770 BC), or just a skilfully
made fake. We would also be grateful for readers'
suggestions, as to what other research could be
done to verify the true origin of this artefact.
Fig. 4. Should the ancient replica
of the Zhang Heng seismograph prove itself to
really originate from the Western Zhou period
(1100 BC to 770 BC), then it would become for
us a source of valuable information and
inspiration. As an example, consider details
of the dragons' mouths and pearls hold
in there.
#4. Curious aspects of the object discussed here:
The object
discussed here displays several aspects that may raise
our curiosity. In order to mention an example of one
such aspect, it is the downward positioning of dragons'
mouths shown in Figure 4, and the relative size of the
"pearl" kept in these mouths. Present replicas of the
"Zhang Heng seismograph" position dragons' mouths
differently, and also use a different size of the pearl.
The reason is, that whatever principle of operation of
this device one would consider, it still would NOT work
if the mouths of the dragons are directed downwards. So
what was the reason for which these mouths were positioned
in such a manner? Perhaps the reader has a suggestion
regarding this strange positioning.
#5. Aparent cosmic origin of the Zhang Heng seismograph:
Strangely enough, the
object discussed here displays several attributes, which seem
to indicate that it could originate from a gift to humanity
send to Earth by another civilisation. Some of these attributes
include:
1. The excessive knowledge
necessary to build this device and to make it work. This
knowledge foreruns even the present level of human science and
technology by at least 100 years. It is impossible that Chinese
gathered it already a few thousands years ago all by themselves.
2. The octagonal base. As
this is documented in this item and in item 6 that follows, shaping the
base of this device into an octagonal figure, is trying to tell us
something. This is because the formation of an octagon is not an easy
task. So if the shape of the base would be just for ornamental purposes,
then it would be formed as a six-sided figure which is extremely easy
to design and to make. But if ancient masters persevered in creation of
the difficult octagonal shape, they must have a vital reason for it.
This reason is the message about a cosmic origin of the device,
that such octagonal base tries to deliver to us.
The point which I am
trying to make here, and in item 6 below, is that in old times the
octagonal shape used to symbolise the supernatural source, magical
powers, and the cosmic origin. In the Chinese culture the best symbol
of such cosmic origin of octagonal shapes is until today the so-called
pat kua mirror, which even right now is considered by Chinese
people to display various supernatural and magical powers originating
from cosmos. Therefore the sole fact, that the artefact discussed
here has an octagonal base so clearly visible on Figures 1 and 5,
should be interpreted as the strong message passed to us by builders
of this device. This message is trying to convey to us, that this
particular device does NOT originate from Earth, but it has a cosmic
origin.
Fig. 5a: The overhead view of the artefact discussed
here. The special meaning has the eight-sided base of this
replica. This is because the eight-sided objects present in
human culture seem to mimic the propelling devices called
the "Oscillatory Chambers" (shown in Figure 6), that are
used in propulsion systems of such advanced vehicles as
e.g. UFOs.
Fig. 5b: A gigantic, mysterious, octagonal
device from the St. Maria's (Catholic) church in Gdansk, Poland.
(This device is also described on several other web pages, e.g. on
milicz.fateback.com or totalizm.nazwa.pl.)
It was photographed by the author in July 2004. It is so huge,
that the eight sculptures of women standing around its octagonal
base have the size of adult people (one may compare the size of
these eight sculptures, to two tourists photographed behind them).
The real purpose of this device remains a mystery. After all,
it is too huge to perform any practical function, apart from
being a container for holly substances. However, it is
strikingly similar to the "Zhang Heng seismograph" - as the reader
may realise by comparing the above Figure 5b with Figure 1 or 1b.
For example, this mysterious device has not only an octagonal
shape of the main body, but also an octagonal base like that
in the "Zhang Heng seismograph" discussed here. Furthermore,
the general shape and the appearance of it, is strangely similar
to the shape and the appearance of the "Zhang Heng seismograph". But
instead of wrongly seeking the source of this similarity in cross-cultural
or in inter-religious influences, much more rational is to realise
that both these devices are mimicking the shape of main propulsors
from UFO vehicles. This is because in the centre of such UFO propulsors
an octagonal device similar to shapes presented here is positioned.
In volume 2 of the monograph [1/4] "Advanced Magnetic Devices", this
device from UFOs is described comprehensively under the name of
Oscillatory Chamber (see the general shape of such Oscillatory
Chamber shown in Figure 6b). Thus, it is apparent that a huge number
of octagonal objects present in human culture, actually results from
imitating by old masters the shapes of octagonal Oscillatory Chambers
from UFOs.
It is interesting whether
the reader ever wondered, why in churches, mosques, and in temples of
various other religions, almost every object seems to imitate
octagonal shapes, or octagonal outlets, from Oscillatory Chambers
of UFOs, in spite that in fact all these objects could be constructed
in an unlimited number of different shapes. Well, the answer seem to be,
that people are abducted to UFOs from the beginning of times, and after
the return to Earth they mimic in their creative products the fascinating
device that they saw during these abductions. (The reader may find more
about UFOs on web sites listed in Menu 2, e.g. on the site
ufonauci.w.interia.pl).
#6. The shaping of objects into octagons was intended
in old times to symbolise their cosmic origin:
People abducted to UFO vehicles
keep reporting about the strange device that they almost always see
inside of these extraterrestrial vehicles. This device most frequently
takes a shape of an octagonal transparent "crystal". However, sometimes
it can also be shaped as a transparent cube, or as a sixteen-sided
"crystal". If it is sixteen-sided, it looks almost like circular,
but with an uneven surface. As it turns out, these strange crystals
seen on decks of UFOs are simply "Oscillatory Chambers" that UFOs use
for the propelling purposes (the general appearance of such an
Oscillatory Chamber is shown in Figure 6b below). People abducted
to UFOs seem to be fascinated by these Oscillatory Chambers.
The reason is that these extraordinary devices contain millions
of "alive" sparks inside, and also that they
emanate an enormous power. So when these UFO abductees return
back to Earth, they duplicate shape of these fascinating devices
in numerous objects, especially those used for worship or for magic.
Strangely enough,
if one reviews human culture, it turns out that almost all
mysterious objects somehow connected with cosmos, mystery,
or with worship, are always shaped into one of shapes that
mimic these Oscillatory Chambers from UFOs. Thus,
most frequently such objects are shaped into octagons.
If they are not octagonal, then they are either square,
or almost circular in shape. In turn practically never
six-sided shapes are used for worship or for magical
purposes, although six-sided shape could be constructed
the most easily.
Fig. 6b: This is how the
device called the Oscillatory Chamber looks
like. (The dimension lines shown on this device
indicate the geometrical parameters of it, as
explained in Figure C8 (2s) from monograph [1/4].)
This extraordinary device is used by UFO vehicles of the
second generation for producing a powerful telekinetic
field, which propels these vehicles, makes them invisible
to human eyes, and allows them to pass through walls without
damaging these walls or UFO vehicles. Because this advanced
device has an octagonal cross-section, the pillars of telekinetic
field that it yields from the outlet directed downward, is
also octagonal in a horizontal cross-section. So columns
used to support ceilings in some Christian churches, which
try to mimic the pillars of such "supernatural" telekinetic
field, also display octagonal cross-sections in horizontal
planes. Notice that operation of the Oscillatory Chamber is
described in volume 2 of the monograph [1/4] "Advanced
Magnetic Devices", the text of which can be downloaded free
of charge from numerous web pages listed in Menu 2. In
turn properties of the telekinetic field that such Oscillatory
Chambers generate are explained in volumes 4 and 10 of the
same monograph [1/4].
Because base of the replica of the "Zhang Heng seismograph"
presented here is shaped into an octagon, it tries to tell
us in a symbolic manner that it originates from cosmos,
NOT from Earth.
Fig. 6: Eight-sided columns that support
the ceiling in the Frombork cathedral from Poland (that one in which
the famous astronomer, Nicolas Copernicus, used to work). Photographed
by the author of this web page in July 2004. Similar octagonal columns
are also present in many other old Polish churches constructed before
15 century. Their curious aspect is that their design and appearance
closely imitates the eight-sided columns of powerful telekinetic field
that emerges from the outlets of the octagonal Oscillatory Chambers
from UFOs.
The shocking aspect of all
columns in old Christian churches is, that these columns use only four
different shapes, all of which imitate shapes of columns of telekinetic
field that emerges from UFO propulsors. And so, these columns can
either have square cross-section, or octagonal cross-section,
or sixteen-sided cross-section, or rounded cross-section (such rounded
cross-section is an approximation of sixteen-sided cross-section).
As so-far, I never met in any church in the world a column that
would have e.g. triangular or six-sided cross-section, in spite that
such columns would be the most easy for construction by old masters.
(From the point of view of constructing a column, it is incomparably
more difficult to measure and to build a column with an octagonal
cross-section, than a column e.g. with six-sides. After all, in
order to measure an ideal six-sided figure, it is enough to place
six radiuses around peripherals of a circle. But to measure an
ideal eight-sided figure, one needs extremely precise and complex
measuring procedure and advanced geometrical knowledge. So there
must exist a very important reason, why old masters constructed
eight-sided columns in churches, instead of six-sided. On the basis
of my research to-date, this very important reason was to imitate
in churches the interiors of UFO vehicles, in which ancient UFO
abductees could actually see octagonal columns of telekinetic
field yielded by Oscillatory Chambers of these vehicles.)
Jesli mowisz po polsku,
kliknij na polska flage (if you prefer to read in Polish
click on the Polish flag)
It appears that from time to time our planet is challenged,
to instigate the faster development of humanity. I personally
believe that the current revival of "fashion" on the "Zhang
Heng seismograph" is not just a coincidence, but actually one
of such challenges for humanity to rebuild this unique device
and to open new horizons through finding out how it really works.
* * *
Copyright information. Text of explanations from this web page,
plus Figures 1b and 6b, represent excerpts from my monograph [1/4]
"Advanced Magnetic Devices". Therefore for them the copyright
statement listed in monograph [1/4] applies. In turn copyrights
for remaining Figures 1, and 2 to 5a belong to Mr
Tan Kee Wee.
* * *
Should you wish to contact me, please do not hesitate to write me an email.
You can contact me through following email addresses:
